I listened to every Eurovision 2024 entry, so you don’t have to
I’ve listened to every entry for this year’s Contest and boiled them down to a few quippy comments.
I’ve listened to every entry for this year’s Contest and boiled them down to a few quippy comments.
Today’s the day! The official album for the 2024 Eurovision Song Contest is released.
Yes, you’ve been able to watch the music videos on YouTube of each entry for months. Yes, if you’re a die hard fan you could even have watched the national selection shows.
But I like to save myself for this moment. Unsullied by the hype of the fan base, I like to wait for the album for my first dip into the waters of each year’s Eurovision experience. Then I like to write a blogpost about every last one of the entries and try to avoid being too caustic about them.
On that note, I’m off to fire up the iPod Classic and start the ritual!
Here’s my pitch: Think GOV.UK, but social media.
I have spent probably too many hours playing this game. I enjoyed it so much I recall it getting me into trouble with my parents when I snuck onto the family computer and turned off a different game my dad was playing just so I could be a tycoon!
I had no idea of its wider impact. It’s inspired people to get into rollercoaster design as a profession and diversified the industry a bit in the process.
I wonder if my other favourite game of the 90s had a similar impact.
I’ve never managed to get into the habit of week noting; but Giles’ excellent Doing Weeknotes guidance has inspired me to give it another shot!
More, soon.
Moulding ideas about communicating differently, with help from an expert.
I like the way you’ve put your backlog of blogposts and website tweaks on your to do list.
I might steal that idea!